Wabi-sabi is an aesthetic of poverty and aloneness, imperfection and austerity, affirmation and melancholy. Wabi-sabi is the beauty of the withered, weathered, tarnished, scarred, intimate, coarse, earthly, evanescent, tentative, ephemeral. . . Wabi-sabi is a broken earthenware cup in contrast to a Ming vase, a branch of autumn leaves in contrast to a dozen roses, a lined and bent old woman in contrast to a model, a mature love as opposed to infatuation, a bare wall with peeling paint in contrast to a wall hung with beautiful paintings.
–Crispin Sartwell in Six Names of Beauty